This film finds Angélique in a North African Muslim kingdom where she is now part of the Sultan's harem. The first part of the film consist of her angrily refusing to be bedded as well as their trying to literally beat some sense into her. It all seems to go on too long and I was surprised that the Sultan simply didn't have her killed. Late in the film, she finally decides to escape with the help of two Christian prisoners.

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

KAMITSUBAKI STUDIO hosts "Singularity Live vol.2," a two-man live project. Performers will be two virtual singers, Harusaruhi(春猿火) and Koko(幸祜). The opening act will be CIEL, the same as vol.1.

An excellent comprehensive look at all the music that came out of Cincinnati, Ohio. Cincinnati "Rock Legends" "James Brown" "King Records" "Pure Prairie League" "Lemon Pipers" "Syd Nathan" WEBN "Bootsy Collins" "Lonnie Mack" "The Who concert 1979" "Rick Derringer"

In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.

The documentary director KG Forsberg makes a film about his dying father.

A prison bus with over a dozen criminals on board has an accident and rams another car, in which Dr. Douglas Madsen was on his way home. Most of the prisoners die. Four of them survive, one of them severely injured. After having killed all the guards, they head for the woods. They take Dr. Douglas Madsen hostage. Suddenly a huge house appears in the middle of the woods. The leader of the group, Arthur, emphasizes that he will kill Douglas and every single member of the "family" if his wounded brother would die. Meanwhile some members of the family show strange behavior, and very soon mayhem breaks loose.

A father and daughter, Michał and Anka, have a unique intimacy, which the college-aged Anka is beginning to feel conflicted about. When she finds an unopened letter from her deceased mother, it seems to justify her attraction to Michał, who may not in fact be her father.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.

An unemployed slacker, his aged mother and his niece must overcome their many differences to find a lost fortune.

This feature-length documentary about the making of "The Social Network" goes back and forth from the elements of storytelling and long rehearsals with the cast and crew, to the shooting itself capturing the extreme attention to detail, filming locations such as Boston and LA, and David Fincher's filmmaking process.

On his journey towards becoming a film director, Cole discovers an insight that flips his perspective on his way of living.

When he was a little boy, Dillon's rock musician father and hippie mother died in a traffic accident. Now in his twenties, Dillon wants nothing more than a normal, responsible life, working in an office and taking care of the grandmother who raised him. But his grandmother has other ideas, and Dillon finds himself lured into an alternate lifestyle of art, pleasure and rebellion.

Summoned by the black sphere, Kei and Masaru fight against extraterrestrials until Masaru grows tired of fighting and refuses to continue.

An exploration of why Let’s Plays are so popular, as well as how the convergence of gaming and community are redefining the stages once reserved for only the biggest of rock stars.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A barefoot contessa, a screwed-up princess, an exquisite drunk, a bawdy aristocrat, a nightmare for puritanical America and the moguls of Metro-Goldwyn-Mayer, Ava Gardner never stopped loving those she loved. She turned women green and made men sweat. And rejected with all her force the bulwark of normality.