Camilla wants to be a ballerina and the upcoming auditions for a dance college will be a great opportunity for her to showcase her talent. But, pushy like a tenacious summer wind, Sara swirls into her life and introduces her to an unfamiliar world made of sex, shopping sprees, soft drugs, parties, and wild friends.

Irma (Claudia Gerini), Eugenia (Angela Finocchiaro), Miranda (Caterina Guzzanti) and Rina (Paola Minaccioni) are four different women, each with their own character, their own weaknesses and their own eccentricities, but linked by a deep and lasting knowledge over time, united and marked by their essential card games. When they decide to participate in a national buraco tournament and get out of their everyday life, they will suddenly find themselves with their cards exposed. Life always offers a second chance and love can go back to upsetting at any age. After all, it is the game of burraco that has taught him that a game must be played completely, to the end, and that no result is ever taken for granted.

As he copes with the death of his fiancee along with her parents, a young man must figure out what he wants out of life.

Real estate developer Jake Berman hires private investigator and war veteran Jake Gittes for some run-of-the-mill matrimonial work. After Berman shoots his wife's lover, who happens to be his business partner, Gittes is drawn into a web of conspiracy and deceit involving the oil reserves beneath Los Angeles. While investigating, Gittes hears a voice from his past that causes him to revisit a traumatic case in Chinatown.

A sudden tragedy hits a wealthy middle-class family from North-East Italy. Tensions, hidden secrets and small hypocrisies emerge.

During an opulent and luxurious banquet, complete with hordes of servers and valets, eleven pampered guests participate in what appears to be a ritualistic gastronomic carnage. In this absurd and grotesque universe, an unexpected sequence of events destabilizes the endless symphony of abundance.

An evil is unleashed in a small town when a logging company sets up shop in the neighboring woods. Isolated and threatened, a mysterious force hidden within the trees outside the small town of Maiden Woods, strikes fear in the townspeople as Sheriff Paul Shields attempts to overcome the demons of his past while protecting those that he loves.

Филмска адаптација познатог романа Џека Лондона приказује младог сиромашног морнара и његове тежње да постане писац како би се класно приближио богатој породици своје веренице Елене. Укључује се у социјалистичке кругове што га доводи у конфликт са Еленом и њеним буржоаским светом. Радња филма премештена је у Напуљ 70-их година XX века у препознатљивој визији Пиетра Марцела, која у изразу синтетише подражавање стилова различитих епоха. Мартина глуми изванредни Лука Маринели, лауреат главне награде на Венецијанском фестивалу.

Naples, early 1980s. The strained marriage between Aldo and Vanda is fractured one evening when Aldo admits, unprompted, his infidelity. Equally hurt and bewildered, Vanda attempts to hide her pain from the couple's two school-age kids, lest they discover that their cramped apartment is not a home of trust and love. 30 years later, Aldo and Vanda are still tied together, but their relationship with each other and their children continues to be defined by what happened all those years ago.

An unattractive 7th grader struggles to cope with suburban life as the middle child with inattentive parents and bullies at school.

Bored and frustrated suburban homemaker Connie and her best pal JoJo, a vlogger with dreams, turn a hobby into a multi-million-dollar counterfeit coupon caper. After firing off a letter to the conglomerate behind a box of cereal gone stale, and receiving an apology along with dozens of freebies, the duo hatch an illegal coupon club scheme that scams millions from mega-corporations and delivers deals to legions of fellow coupon clippers. On the trail to total coupon dominance, a hapless Loss Prevention Officer from the local supermarket chain joins forces with a determined U.S. Postal Inspector in hot pursuit of these newly minted “Queenpins” of pink collar crime.

Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.

2020: A year so [insert adjective of choice here], even the creators of Black Mirror couldn't make it up… but that doesn't mean they don't have a little something to add. This comedy event that tells the story of the dreadful year that was — and perhaps still is? The documentary-style special weaves together some of the world's most (fictitious) renowned voices with real-life archival footage.

In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.

An ambitious Indian driver uses his wit and cunning to escape from poverty and rise to the top. An epic journey based on the New York Times bestseller.

Three families end up in the same rented house. Throughout the summer, they become friends and rediscover how to enjoy life.

When a young mother's home birth ends in unfathomable tragedy, she begins a year-long odyssey of mourning that fractures relationships with loved ones in this deeply personal story of a woman learning to live alongside her loss.

The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a med student he hones his appetite for the kill.

Филм је смештен у не тако далеку будућност, где држава, због пренасељености и глади, предузима драстичне мере у виду тзв. политике једног детета, при чему седам идентичних сестара живе у сталном скривању да би преживеле, јер их прогони биро под називом “Биро за размештај деце”. Биро под руководством Николет Кајман, спроводи строг програм планирања породице коме ће сестре због тога доскочити са идејом да се представе под идентитеом једне особе. Вођене идејом свог деде који их је одгајио и назвао именима по данима у недељи, свака може да изађе у јавност једном недељно према свом идентитету, док су само у свом стану слободне да буду оно што јесу. Све то функционише до тренутка када се сестра по имену Понедељак не врати кући.