Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.

Experts set out to prove that female great white sharks rule the ocean.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

A young woman was buried alive with the intention of killing, but she survived by chance. hears the cries of her little girl and fights to stay alive for her daughter. But this incident will enlighten a new worldview for her.

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

Michel suffers from a strange pathology. A perfectly old-fashioned and rare type of racism: the hatred of Englishmen. This obsessional fault, led him to create an association (which the only members are, except himself, his brother and a friend) and to lead commando operations (covering of English terms with stickers, and street hawking of a violently anti-British review).

Groot discovers a miniature civilization that believes the seemingly enormous tree toddler is the hero they’ve been waiting for.

For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Sahara Takako is a lawyer who specialises in civil cases. She hates to lose and will use whatever means necessary to pursue the truth. Despite her competence, she is mocked as a rotten lawyer for defending companies that exploit their employees and winning many of these lawsuits. One day, Takako gets an unexpected request from a veteran lawyer, Harayama Masao. He would like her to take over the defence of a woman because he is in poor health and needs to be hospitalised. This woman is Shirakawa Kumako, who has been in the public eye. Called “Onikuma” by the public, which is a play on her maiden name, Onizuka, she faces charges of killing her husband Fukutaro, the owner of an established Atami restaurant, for insurance money.

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.