A group of drug-influenced lumpen teenagers from the suburbs of the city descends into the center where they do not belong, where they are excluded. They adopted a brutal method to seize rights that were not granted to them. Unaware of what will happen to them, cheerful and well-to-do university students are helpless in the face of this gun-wielding mob that suddenly raids the bar where they are having fun.

In the heart of Istanbul's prison, Zakir controls the letters prisoners receive. His average day is spent between the censorship office, his colleagues and his evening writing class. For a writing assignment, he steals a photo from one of the letters, in which appears Selma, an inmate's wife. More than an inspiration, she becomes an obsession for Zakir. He observes her, makes up stories, and imagines the worst to the extent that he puts himself at great risk.

Musa, a customs clerk, lives quietly with his mother. Tragedy and change come for him, as they do for everyone, and he must confront his own attitude towards life’s absurdity.

Yusuf is released from prison after serving a ten year sentence. Because of unexpected problems at his sister’s house, he finds himself in a cheap hotel where he meets a man, a woman, and a child who will change his life in unexpected ways…

Kosmos is a thief and a miracle-worker. He appears one morning in a tiny, snowbound border village where he is welcomed with open arms – on account of arriving just in time to resuscitate a small boy who would otherwise have drowned.

A young woman of about 17 years old, named Meryem (Ozgu Namal), has been raped, and her village's customs call for her to be killed to restore honor and dignity to her family and village. The eldest son of the village leader, Cemal (Murat Han), is ordered to take Meryem to Istanbul and kill her, but at the last minute he cannot complete the task.

Isa is blamed for a robbery. He is badly beaten and given twenty four hours to return the money. Instead of finding the money, Isa finds a gun.

In the remote and undeveloped eastern Black Sea region, a six-year-old boy (Yusuf) wanders through the woods searching for his lost father, trying to make sense of his life.His father is a beekeeper whose bees have disappeared unexpectedly, threatening his livelihood. A bizarre accident kills the father.There is little dialogue or music in the film. The three main characters (Yusuf and his parents) are all fairly taciturn, and the soundtrack is filled out with the sounds of the forest and the creatures that live there.The environment is a recurring theme.

A man's life, thoughts, feelings and his very own darkness... Adapted from Dostoevsky's novel "Notes from Underground", Demirkubuz follows Muharrem as he gets himself invited to a party where he is not welcome, just to find himself disgusted.

Ali Osman is a former bully of city of Istanbul. But lately he gives up bully and starts to operate a synthetic pitch. He often meets his old friends, former bullies, too. One day Ali Osman receives a news which is related with his previous passionate life. Then the whole action stats as a chain of events.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.

Sailors want to remain in their small world, which is warm and cozy and full of lies, but their routine life turns upside down when one of them gets mugged and badly beaten.

Titu is going to marry a perfect woman named Sweety. Titu's best-friend Sonu doubts Sweety's character and tries to break the marriage while Sweety tries to do opposite and which leads to war between Bromance and Romace.

After 8 years, Arif's old friend 216 from planet GORA pays a visit to Earth.Together they go on a quest where they'll be visiting 60's.

A profile of Istanbul and its unique people, seen through the eyes of the most mysterious and beloved animal humans have ever known, the Cat.

На путовању у свој родни град, радохоличарка Али се присећа своје прве љубави Шона и почиње да преиспитује све о особи у коју је постала. Ствари постају само збуњујуће када упозна Шонову вереницу, Кесидија, који је подсећа на особу каква је некада била.

Лос Анђелес, година је 2019. Корпорација Тајрел генетским модификацијама креира репликанте тј. хуманоидне андроиде чија је једина сврха понижавајући рад у корист људи на удаљеним Земљиним колонијама. Репликанти су физички снажнији од људи, уграђена им је лажна свест о људском пореклу, а поседују и способност развијања властитих осећаја. Како би се осигурала од евентуалних нежељених последица емотивног сазревања људских „робота“ из властите радионице, корпорација програмира њихов животни век на свега 4 године. Проблеми настају када се шесточлана скупина новог Нексус 6 модела репликаната, предвођена харизматичним Рој Батијем, отима надзору и бежи на Земљу. У френетичној потрази за својим „творцем“, они почињу да сеју смрт и хаос у Лос Анђелесу. Тада на сцену ступа пензионисани полицајац Рик Декард, припадник организације Блејд Ранер, он добија задатак да пронађе и уништи одбегле репликанте. У том процесу Декард ће се наћи и усред битке с властитим демонима…

Млади затворски чувар Јуан Оливер креће на свој први дан на радном месту. Како би оставио што бољи утисак на послодавце, на посао долази дан раније, код куће остављајући трудну супругу Елену. У затвору доживи несрећу при којој је рањен, те га колеге привремено, док не стигне лекарска помоћ, смештају у ћелију 211.

Двојица белих Јужноафриканаца, затворена због рада у име АНЦ-а, одлучују да побегну из злогласног затвора у Преторији …

Лордови безакоња. Током четири бруталне деценије, они су се са дна сиротињске, прљаве и злогласне четврти Њујорка уздигли до висина утицаја из сенке и на саму Белу Кућу. Починили би сваки злочин само да стигну тамо где су желели, освоје оно што су желели, и оне које су желели. Починили би сваки злочин, осим једнога. А онда и је тај последњи табу срушен – пријатељи су постали непријатељи, у борби на живот и смрт њихово царство подземља постало је крваво ратиште у коме ништа није било свето... Било једном у Америци...