"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.

A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

In a Mars base, the inhabitants are being infected by a mysterious water creature which takes over its victims. The Doctor is thrust into the middle of this catastrophe, knowing a larger one is waiting around the corner.

‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.

Best-selling author Tyvian Jones has a life of leisure in Venice, Italy, until he has a chance encounter with sultry Frenchwoman Eva Olivier. He falls for her instantly, despite already having wedding plans with Francesca Ferrara. Winning Eva's affection proves elusive; she's more interested in money than in love. But Tyvian remain steadfast in his obsession, going after Eva with a fervor that threatens to destroy his life.

Toji Seryo is a popular first year high school student. It's well known that Toji Seryo will date anyone that confesses their affection for him on a Monday, but he will break up with that person by Sunday. Yuzuru Shino is a third year student at the same high school. He looks pretty, but all of his former girlfriends end up dumping him. Yuzuru Shino becomes curious about Toji Seryo. On a whim, half serious and half joking, Yuzuru Shino asks Toji Seryo to date. The film is based on a comic. Part 1 follows Monday to Thursday. Part 2 follows Friday to Sunday.

Orbiting a quiet backwater planet, the massed forces of the universe's deadliest species gather, drawn to a mysterious message that echoes out to the stars. And amongst them, the Doctor. Rescuing Clara from a family Christmas dinner, the Time Lord and his best friend must learn what this enigmatic signal means for his own fate and that of the universe.

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.

More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.

In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.

A group of bored teenagers rebel against authority in the community of New Granada.

Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.

We must protect this house.

On a bleak future Earth, a soldier endures a radical genetic transformation to save humanity. But his wife fears he's becoming more creature than man.

Charts the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a religious death wish.

An everyday conversation between Marta and her mother turns into a tragic race against the clock when Marta receives a phone call from Iván, her six-year-old son, who is on holiday in France with his father.

In Japan, the vampire-hunter Saya, who is a powerful original, is sent by her liaison with the government, David, posed as a teenage student to the Yokota High School on the eve of Halloween to hunt down vampires. Saya asks David to give a new katana to her. Soon she saves the school nurse Makiho Amano from two vampires disguised of classmates and Makiho witnesses her fight against the powerful demon.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.