After regaining his manliness, he escapes from hell Satan for embezzling Secretary of infernal hacienda, being chased by a couple of poor devils good for nothing, and took refuge in the cabaret ends up working as a transvestite.

Men will be men.

Internet sensation and old family friend of Aurora Teagarden, Poppy Wilson, has returned to Lawrenceton to start her new embroidery business. But not everyone is happy with Poppy's success when she turns up dead. To find the killer, Roe must follow the unsettling truths that lead her—into the path of the killer.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

The Option centers on a group of rural women who cut sugar cane and live in ramshackle highway neighborhoods. For many, their only escape to a potentially better life is through prostitution, often with truck drivers.

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

Spoiled child Geoffrey Bramer teams up with a pair of small time crooks to pose as an aristocrat and steal jewelry from exclusive shops. During a a caper, Geoffrey is caught and is sentenced to a reformatory where young men are trained to be sailors. He is befriended by model in-mate Terry O'Mulvaney but soon starts to get them both in trouble.

Sardar Joginder Singh alias Sardar Saab (Jackie Shroff) and his younger brother (Guggu Gill) act as messiahs for the people suppressed by the rich, wealthy and powerful. They do not shy away from taking law and order in their own hands. Due to the nature of their work, Sardar Saab sends his son (Daljeet Kalsi) to New Zealand, who meets Mehak Arora (Neetu Singh) and falls in love with her. Daljeet and Mehak want to get married to each other and their parents before the rituals take place. Once Daljeet reaches Delhi, Sardar Saab is arrested by the police and he gets killed in a bomb blast. How Daljeet avenges his killing forms the rest of the story.

A married man and his young mistress suffer sadistic torture when Tom, Dick and Harry invade their penthouse.

A week in the life of Claudia e Francesca and all their friends.

MARIAN is an 80 year old resident of Meadow Park Rest Home. During a difficult visit, her daughter PHILLIPA is forced out and accidentally leaves something important behind. Wandering out of the rest home, the outside world proves challenging, as Marian battles her mind in an attempt to return her daughter’s beloved possession.

Vivienne Dick - 1983 Like Dawn to Dust takes up the exploration of the rural landscape initiated in Visibility Moderate but it is characterized by a very different mode of address. Instead of appropriating from radio, television or film, Dick develops a more overtly 'poetic' aesthetic, through performance, cinematography and sound. The opening shots of a decaying 'Big House' bearing the scorch marks of a fire, are accompanied by an off-key piano, recalling stage melodrama or early cinema. The house, most likely a remnant of Anglo-Irish society, is abandoned but for the figure of Lydia Lunch, wearing her signature New York 'Goth' make-up and clothes. Lunch delivers a poetic monologue, both on screen and in voice-over, over a traditional soundtrack and her final words emphasize the circularity of Irish narratives: 'the past never dies, it just continually repeats itself.'

The mistress of Cunégonde is going out so Cunégonde puts on her mistress' clothes. When she goes out into the street, she encounters an instantly enamoured gentleman who takes her to his house. However, when the man is about to declare his love the actual owner of the house barges in. Cunegonde's gentleman turns out to be just a regular servant and Cunégonde walks away annoyed. When Cunégonde meets the servant the next day she is still mad at him and quarrels with him. At the police station he declares his love for her in spite of her being a maid. They happily fall into each other's arms.

A grieving mother tries to contact her recently deceased daughter. The result proves scarier than the grief.

An unflinching look at daily life in Haiti during and after the rule of Papa Doc Duvalier and his son Baby Doc, this unconventional documentary blends interviews with fiction scenes to expose the country's history of corruption, violence and voodoo. Through the use of historical footage, disturbing images and an interview with Papa Doc himself, the film offers a rare glimpse into the heart of a nation frequently overlooked by rest of the world.