Two guys came to Zakopane to write screenplay and make movie. They are complete amateurs and don't have any ideas. Maybe only one idea is to find actress, but it's not so simple.

A girl from the slums of Athens becomes a famous singer while falling in love with her songwriter.

Осам година након што је Бетмен преузео одговорност због злочина Дволичног, нови терористички лидер, Бејн, преузима контролу над најутицајнијим људима Готама. Мрачни витез је приморан да се врати како би заштитио град угрожен од непријатеља.

If hugs are tangible why am I hugging the void

Johnny Green leads the MGM Symphony Orchestra in a medley of waltzes and other familiar pieces by three members of the Strauss family. Filmed in CinemaScope.

This film describes a wandering young man who experiences the alternation of reality and dream mirror after regretting the loss of his beloved. Finally, he successfully understands the root of pain, accepts the reality and obtains salvation.

Charlie reluctantly attends a stag party where he ends up "winning" a beautiful girl for a night. The next morning she is found dead and Charlie is suspect "numero uno." A thriller in the best Hitchcock tradition.

First film ever that was shot by two cameras. Set in 1854-1855, in Sevastopol and Yalta during the Crimean War. Admirals Kornilov (Mozzhukhin) and Nakhimov (Gromov) organize the defense during the siege of Sevastopol. Both admirals are killed during the battle, and the city of Sevastopol is taken by the alliance of British, French, Sardinian, and Turkish troops. The legendary feat of Sailor Koshka (Semenov) was staged at original location. The 100 minute-long film was premiered in 1911 at the Livadia, Yalta, palace for the Tsar Nicholas II.

The determination and dedication of a former musician who is now a social assistant in Bariloche – one of the best-known tourist resorts in Patagonia – is not enough to avoid the misfortunes experienced by local youths. This film reveals, without concessions, the picture never presented in the postcards of this town.

A gorgeous and frequently emotional rumination on the “big things” in life, James Gallagher’s new short film, Love, poses questions on what we love, why we love it, and what happens when the desire to win becomes detrimental to our experience of ourselves and other people. While that description seems preachy, the film is not didactic—on the contrary, its plot is extremely loose and impressionistic, requiring the viewer some effort to construct its fast-moving snippets into a coherent narrative.

A short film from Haro Senft.