The Jews of Jerusalem are driven out by their Syrian rulers. They gather their forces, and return to drive out their oppressors.

Testimonies of seven prominent photographers active in the juncture of the student movement of 1968

Прича почиње кад јунак којег тумачи Клинт Иствуд (Човек без имена), стиже у мали градић Сан Мигел, у којем га убрзо упозоравају како у граду ратују две породице ради премоћи. Једни су браћа Рохос: Дон Мигел (шеф), Естебан (кукавица) и Рамон, који се једини може мерити са главним јунаком; друга породица су Бакстери, на чијем челу је Џон Бакстер, градски шериф. Човек без имена одлучује да ће радити за обе породице као плаћеник "за шаку долара", а у исто време их наводи да се међусобно сукобе.

Лордови безакоња. Током четири бруталне деценије, они су се са дна сиротињске, прљаве и злогласне четврти Њујорка уздигли до висина утицаја из сенке и на саму Белу Кућу. Починили би сваки злочин само да стигну тамо где су желели, освоје оно што су желели, и оне које су желели. Починили би сваки злочин, осим једнога. А онда и је тај последњи табу срушен – пријатељи су постали непријатељи, у борби на живот и смрт њихово царство подземља постало је крваво ратиште у коме ништа није било свето... Било једном у Америци...

A coffin-dragging gunslinger and a prostitute become embroiled in a bitter feud between a merciless masked clan and a band of Mexican revolutionaries.

Jack Beauregard, an ageing gunman of the Old West, only wants to retire in peace and move to Europe. But a young gunfighter, known as "Nobody", who idolizes Beauregard, wants him to go out in a blaze of glory. So he arranges for Jack to face the 150-man gang known as The Wild Bunch and earn his place in history.

Епски вестерн „Било једном на Дивљем западу” један је од најбољих филмова тога жанра, слојевита прича о умирању једног света и рађању новога. Одметници и револвераши, који су деценијама владали Западом, нестају у крвавим обрачунима, а свет урбане цивилизације који започиње трасирањем железнице и повезивањем дивљине, започиње свој живот симболичном изградњом железничке постаје око које ће настати град.

A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.

In the third film of the Lone Wolf and Cub series, Ogami Itto volunteers to be tortured by Yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.

El Chuncho's bandits rob arms from a train, intending to sell the weapons to Elias' revolutionaries. They are helped by one of the passengers, Bill Tate, and allow him to join them, unware of his true intentions.

Tribute to Naples, where director De Sica spent his first years, this is a collection of six Napolitean episodes: a clown exploited by a gangster; an inconstant pizza seller (Sofia) losing her husband's ring; the funeral of a dead child; the gambler Count Prospero B. defeated by a kid; the unexpected and unusual wedding of Teresa, a prostitute; the "professor" Ersilio Micci, a "wisdom seller".

After Cacopoulos manages to save himself from being hung on a false charge, he robs Cat Stevens and Hutch Bessy of a lot of money and steals their horses. This results in a merry chase and Stevens and Bessy become unwilling allies in Cacopoulus' revenge against the people who deserted him and framed him to get their money back.

A young bank teller, literally allergic to paper money, becomes the worst nightmare of his best customer, a wealthy butcher who manages his business unscrupulously.

Claudio Scanna is a private in the Italian army: during his first night in a new military base he gets in a fight with senior recruits. Lieutenant Fili, Claudio's commanding officer, is denied a promotion because his superiors discover he was absent without justification during the night of the fight. Fili blames Claudio and vows to make his remaining months in the service a living hell...

A false accusation leads the philosopher Socrates to trial and condemnation in 4th century BC Athens.

Mr. Roberts is a Navy officer who's yearning for battle but is stuck in the backwaters of World War II on a non-commissioned ship run by the bullying Captain Morton.

Campana, a commissar at the drugs bureau of Paris police gets an undercover job in Nice to catch an Italian-French mafia boss. As he slips into the identity of a gangster's brother, who was already killed, he has to play the role of a loving husband with child - something that is not so easy for a confirmed single like Campana. Unfortunately American killers chase behind the Nice mafia clan too, in order to get control of French drug trades to USA.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

This is the (funny) story of four agents of Roma traffic police in the '50s. Their life are crossed in affairs that often retire from mere job relationships. 'Guardia scelta' (special agent) Giuseppe tries to be a composer, he wants to write the anthem for the roman traffic police. 'Guardia'(agent) Alberto Randolfi has a too strong inclination to fine everyone and is dreaming about learning French. 'Brigadiere' (sergeant) Pietro Spaziali is busy looking at his little son Tonino and daughter Maria who is going to marry a boxer. The 'Maresciallo' (Marshal) tries to manage and solve all the troubles they often do.